For a much deeper discussion of this topic, please see this article. Other than that, you can create the rest of these codecs on a Mac or a PC with any standard video software. Or use unsupported and sometimes buggy reverse-engineered encoders. (*) While you can create ProRes on a PC, you need to buy specialized tools. The actual number may be slightly higher or lower, depending on the complexity of the project. Secondly, there’s also one flavor of h.264 for reference, though it is not a good choice for an intermediate codec!Īnd finally, for Variable Bitrate codecs, the numbers listed are averages. But all of these codecs can handle many other frame sizes as well. Try typing “10-bit” or “4:2:2 10-bit” into the box below, Things to noteįirstly, I’m listing 1080p and UHD since they are the most common image sizes. Most importantly, make sure that you check the filtering and sorting functions to compare codecs. This table can help you choose the right codec for each project. DPX, or any other combination, you’ve come to the right place. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. So we’ve scoured the Internet and brought them all into a single page. And we’re talking intermediate codecs, here, we’re not covering camera codecs.īecause companies publish their own specifications in different formats, it can be difficult to compare codecs directly. So now you can compare codecs against each other. We’ve pulled together a list of the most common intermediate codecs used in video postproduction. If you’re curious about how many codecs there are, check out the list on Wikipedia. Take a look at that if you haven’t seen it yet! And if that’s not enough, you’ll find a lot more detail in our mega-article on codecs: How to Choose the Right Codec for Every Project. In this article we’ll give you the ability to compare codecs.
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